But this week I've been working on some PR images for a client and while these images are all pretty simple their tight budget presents it's own set of challenges. Today I wanted to share an idea that helped quickly solve some of the problems I ran into.
Since these were almost all pre-processed images more than a few of them showed artifacts that are typical of really aggressive sharpening as well as some JPEG artifacts. Here is a close crop showing what I mean.

Looking at the texture of the skin you can see it has a bit of a speckly texture to it. On some images there were little crystal-like whitish specks as well. Retouching these out would normally mean taking a fair amount of time cleaning them up one by one. With the combination of budget and time on this job I needed to be more efficient than that and so I turned to one of my favorite tools in Photoshop, the Reduce Noise Filter.
Normally I use this filter to reduce grain and excessive noise in an image. It can be really useful with skies that have to be blown up a lot. With this filter there are sliders for settings like Strength, Preserve Details, Reduce Color Noise and Sharpen Details. There is also a check box for "Remove JPEG Artifact". When I'm using it on a sky it's not unusual to maximize the Strength and Reduce Color Noise settings while I set the others to 0% .
But when I was working on the images for this PR job I remembered the Remove JPEG Artifact feature and thought "What if..." When I set everything to 0% and left the Remove JPEG Artifact turned on I saw that it did a great job of smoothing out most of the specks I was concerned with. Here's what the same image looked like with the filter set this way:

Using the filter this way looks a lot like a very subtle blur, but the edges are kept pretty sharp. For the skin areas of this image it was a good start on the job. Applying a layer mask made it easy to keep this effect out of the parts of the image that did not need this and with just a little more work on smoothing out the lines etc. I was on to the next image.
1 comment:
That's a great tip for quick result, Dennis! :)
On a retouching project I worked on recently, there were skin blemishes all over in the photos (probably b/c of digital shots & shaky camera movement, causing less than ideal skin details)... I used "surface blur" to smooth out the non-edge areas, but it still required some time spent on further adjusting opacity & masking on this blurred layer to restore the necessary details underneath...
I probably could have saved more time w/ your tip ;)
Fae
Post a Comment